On Verbal and Non-verbal Communication Essay Example for Free

On Verbal and Non-verbal Communication Essay It is but human nature to try to understand another person. It normal for people to try to interpret another persons actions or words. Interpreting these types of communication means is however, difficult. Each has its own way to be interpreted. Non verbal communication is when person utilizes not his lips and voice when relaying information to another person. It is refers to actions gestures or movements a person does in order to send a message to another person. Usually, this kind of communication is utilized when meeting a new individual. Because too much speech seem to be inappropriate in first meetings, people tend to gesture via facial expression, arm movements, or even bodily gestures. Thus, people interpret this differently, via cues, unlike when the words are spoken (Brunswick Piscataway, 2009). On the other hand, verbal communication relies on the lips or mouth gestures as well as the voice of the person who spoke the words or uttered the information. To some verbal communication is more reliable as people are given the exact information needed to be received. However, there is a tendency for people to lie. Thus, there are those who listen to verbal utterances while at the same time keeping watch of non-verbal gestures. This points that interpreting verbal communication may be literal or based as well to the actions and facial expression that come along with the words (Brunswick Piscataway, 2009). It may thus be concluded that each kind of communication is interpreted differently. Verbal communication sends literal meanings at times, while non-verbal communication is sometimes vague. There is not exact way to point which tells more accurately, however if combined the message will be conveyed easier and faster. Both are also more trustworthy if done side by side. The gestures support the words and the words support all the actions.. While the quote insists that action speaks louder than words, knowing the nature man, it is still better to rely in both words and actions for a clearer interpretation. References Brunswick Piscataway. (2009). Social Perception: How we come to Understand People. Social Psych Lecture. Rutgers University.

Fear of Terrorism :: Personal Narrative Writing

Fear of Terrorism Since the events of 9/11, we in the Western World have finally gotten ourselves in tune with the most basic and vital of human instincts: fear. From the beginning of time, as we cocooned ourselves in our cave dwellings (early precursor of the gated community), and trembled at the prospect of roving sabre toothed tigers, passing storms, and even clouds crossing the face of the moon, fear has been our constant companion. It has been fear of one kind and another that has been responsible for all of the wars, laws and technological developments that have shaped and guided our great civilizations. If it weren't for fear of barbarian invaders, we wouldn't even have nations to begin with. If not for fear of shuffling off this mortal coil, there would be no organized religions. Fear of growing old has fuelled any number of delightful and innovative multi billion dollar industries. Fear of being left behind economically has allowed our cherished multinational corporations to become the most powerful and dominant political forces on the planet, unencumbered by parochial, obsolete laws that had once protected the environment and so-called human rights. Sure, there are naysayers who would point to some of the less savoury aspects of our Western history - witch burnings, wars, genocides - and say that perhaps fear is something negative, something that we need to evolve out of if we are going to survive as a species. It is exactly this sort of namby-pambyish attitude that was directly responsible for the tragic events of 9/11. Fear, and fear alone, could have prevented those despicable acts. Furthermore, I denounce anybody who says otherwise as an intellectual terrorist. Of course, there is no end of things to be afraid of: contaminated water, child abductions, children, AIDS, people with AIDS, unpleasant odours, poor people, drug addicts, teenagers, greasy build-up, bad breath, home invasions, poetry, foreigners, gays, artists, countertop bacteria, organ thieves, unfashionable clothes, brown lawns, shark attacks, dandruff, socialists. Fortunately, there are dedicated corporate scientists working around the clock on solutions - everything from pesticides to space age polymers to missile defense - that will eventually eliminate each and every one of these potential threats. In the meantime, though, it is up to each of us to do our part. If there has been one positive thing that has come out of the terrible events of that September day, it has been the fact that we are now able to give one, all-encompassing label to the seemingly endless sources of our fear.

A Gathering Of Old Men: Importance Of Standing Up For Oneself

â€Å"If you fell down yesterday, stand up today†. This quote by H. G. Wells is seen in the novel A Gathering of Old Men. The novel, taking place in the 1970s, was in a time in which African-Americans still suffered heavy discrimination. After years of taking this abuse, when an incident comes in which a white man lays dead at the hands of a black man, which would eventually call for a lynching, the discriminated unite. They show that despite their tortured past, they still possess their bravery, power, and pride.This dramatic novel by Ernest J. Gaines, A Gathering of Old Men, written in a critical tone employs the use of characterization, flashbacks, and symbolism to express the theme that there comes a time one must stand up for him or herself. In the book, a character named Mathu is one who does not falter in up keeping his pride. From the very beginning, he never let anyone insult him because of his African-American heritage. He always stands up for himself, even facing a white man, and never faltered, even when he was sent to jail.Because of this attitude, Mathu was respected even by some white men like Mapes who â€Å"knowed Mathu had never backed down from anybody, either. Maybe that’s why he liked him† (Gaines 84). Mathu was like a strong rock, the attempts of others at making him submit were but pebbles against his overpowering pride and dignity. A character that Mathu attempted to instill some lessons on becoming a man was Charlie. Charlie, despite his mild character was a large man towering at 6feet 7inches and weighing 275 pounds.Beau Boutan, Charlie’s boss and some others often ridiculed him with names like â€Å"Big Charlie† and â€Å"nigger boy† because of his mild character (Gaines 187). Charlie however, after observing Mathu’s strong pride and refusal to let anyone step over that pride, eventually gained some courage to stand up for himself. After he killed Beau and ran away, he came back and was ready to atone for his deed. Gaines used this event in the novel to show that even though people might be insulted and beat down, they can still gain enough courage to stand up for themselves.When Charlie did stand up for himself, and became, in his eyes, a man, that eventually led to his death. Gaines’s killing off of Charlie after he started standing up for himself was alluding to the idea that when people make a stand, they must be careful not to overdo it, like Charlie did, or there might be unfavorable results. Another character of interest is Candy. Candy is the owner of the place in which all the men gather, and the organizer of the gathering. At first, Candy seems to be genuinely worried about the people in Marshall, saying â€Å"’No I won’t let them harm my people’†¦ ‘I will protect my people.’† (Gaines 19).However, as the story progresses Gaines shows that Candy’s motives may not have been as good-natured as firs tly suggested. It’s eventually revealed she does not care much for the other men gathered in Mathu’s yard, but only for Mathu himself. While she showed little emotion when the other men were called up to Mapes and hit, she was quick to react when Mathu was called. Gaines also showed Candy’s true nature in the event when Clatoo wanted to talk to the men inside Mathu’s house, without Candy.At this point, Candy threatened to have all the men who followed Clatoo kicked out of the Marshall place, their only home. Gaines portrayed Candy in this way to show in this time, the idea of oppressing people still existed in the minds of even those who seemed good-natured. Finally, Gaines creates a complex character out of Mapes. Mapes is a character who experiences a change during the story. When he first arrives at the site of Beau’s death, and the gathering of the old men, he acts with the same mindset of the Cajuns in that time.His first response to the scene is violence. He attempts to gain information from the old men by hitting them. Eventually, when he realizes violence will produce no results, he lets them tell their stories. The prominent change in Mapes is shown at the time Luke Will and his crew arrive with the intent of hanging Beau’s killer. Mapes attempts to protect Charlie and the rest of the men, saying â€Å"’Go home, Luke Will’† after Luke Will demanded he hands Charlie over to him (Gaines 195).When Luke Will ignored Mapes and started a shoot out between his crew and the old men, Mapes resigned control of the situation to the old men and Charlie. Gaines used this to show that the mindset of people can change for the better. In the instance that Mapes trusted the old men and Charlie with the situation, he recognized them not as people of a lesser racer, but respectable and trustable men, showing that old men’s attempt at standing for themselves was able to change a man.Gaines also employs the use of flashbacks in the novel. The main role the flashbacks play is to show the hardships and discrimination the African-Americans faced in that time. When Uncle Billy, one of the old men who gathered to finally stand up for himself after many years, was asked by Mapes the sheriff his reason for killing Beau, as all the old men claimed to have killed Beau, he recalled an event that happened years before. â€Å"’What they did to my boy’†¦ ‘The way they beat him.They beat him till they beat him crazy†¦Ã¢â‚¬â„¢Ã¢â‚¬  (Gaines 80). Gaines introduced this flashback to show the brutality suffered by the blacks at that time, and that it spared no one, not even a child. Another flashback was by Johnny Paul, who remembered back to a time when they had all lived as a community, till Beau and his tractor came to plow it all up. Johnny Paul was referring to this time when he confused Mapes by saying â€Å"’But you still don’t see. Yes, sir, wh at you see is the weeds, but you don’t see what we don’t see. ’† (Gaines 89).Johnny Paul was talking about how the weeds and rotting houses had replaced what was once a place of happiness, and brotherhood among the black families living there. Gaines uses this flashback to show what was taken from the African-Americans in the novel, to better explain their need to stand up for themselves. Tucker, one of the old men, goes into a flashback of his own. He remembers a time his brother and two mules, beat a white man and a tractor. The white man and his friends however said Tucker’s brother had cheated, and beat him with canes.Gaines adds this flashback to portray the obvious distinction between whites and blacks in that time. African-Americans were thought to be less of people than the Cajuns, so for this lesser person, Tucker’s brother Silas, to beat the supposedly superior white man was unthinkable. Like Tucker said, â€Å"’†¦and b ecause he didn’t lose like a nigger is supposed to lose, they beat him’† (Gaines 97). In that situation a scared Tucker didn’t stand up for his brother, and they beat him to his death.Gaines uses this flashback to show the results of the old men being walked over by the Cajuns, and doing nothing about it. Gable also reminisces about his unfortunate past. He remembers the Cajuns sentencing his sixteen year old son to the electric chair, â€Å"on the word of a poor white trash† (Gaines 101). He remembers the indifference the Cajuns displayed in killing his son, watching his death, and leaving as though it was a â€Å"card game† (102). Through this flashback, Gaines shows again how the cruelty of the Cajuns didn’t spare any ages.He also shows how little the word of a black man counted over that of a white man or woman. When his son was being sent to electric chair, Gable couldn’t do anything but beg the Cajuns. Gaines then ties thi s back to the importance of the men standing up to their tormentors, hinting such events could possibly have been avoided if they had stood up to their oppressors. Finally, Gaines utilizes symbolism in his novel to express the theme. Throughout the novel, a constant symbol that repeatedly came up was the tractor.The tractor was what Beau Boutan was riding when he came after Charlie. The tractor was also what drove many of the African-Americans on the plantation out of work and away from their homes. Finally, the tractor was what the Cajun, Felix Boutan, rode when he was beat by Tucker’s brother, Silas, which led to Silas being beat to death. The tractor symbolizes one of the main tortures of the African-American community in Marshall. It drove them out of work, drove them out of their homes, and eventually led to their death, in the case of Charlie and Silas.Gaines added the tractor and all it symbolized to be another motivator to the old men to make a stand. Another symbol w as the shotguns that the old men had. The shotguns’ empty shells in the beginning symbolized the weakness and ineffectiveness the old men had at the start of the story. In letting themselves to be walked over, and offering no resistance, they were as useless as the shotguns with empty shells they held in their hands. However, as the story progressed, when it came time to fight, the men had fully loaded shells and were ready for war.This symbolizes the change they went through. From being old useless men with no impact, they were able to make a difference, and have an impact. By standing up for themselves, they displayed their power and pride, which eventually even affected Luke Will, who â€Å"looked worried, real worried† when he realized their conviction (Gaines 205). Concluding, with the use of characterization, flashbacks, and symbolism, Ernest J. Gaines expressed the theme that there comes a time one must stand up for him or herself throughout the book.This theme was expressed through the characters Mathu, who always stood up for himself, Charlie, who learned to, and Candy and Mapes who were characters that were a motivator to the old men standing up for themselves. Gaines used the flashbacks to better portray the importance of the African-Americans in the area standing up for themselves, and he used symbolism to show one of the major torments of the people, and the change the old men went through. By standing up for themselves, the old men not only displayed their power and pride, but also seized hold of their future for themselves and their generations to come. A Gathering of Old Men: Importance of standing up for oneself â€Å"If you fell down yesterday, stand up today†. This quote by H. G. Wells is seen in the novel A Gathering of Old Men. The novel, taking place in the 1970s, was in a time in which African-Americans still suffered heavy discrimination. After years of taking this abuse, when an incident comes in which a white man lays dead at the hands of a black man, which would eventually call for a lynching, the discriminated unite. They show that despite their tortured past, they still possess their bravery, power, and pride.This dramatic novel by Ernest J. Gaines, A Gathering of Old Men, written in a critical tone employs the use of characterization, flashbacks, and symbolism to express the theme that there comes a time one must stand up for him or herself. In the book, a character named Mathu is one who does not falter in up keeping his pride. From the very beginning, he never let anyone insult him because of his African-American heritage. He always stands up for himself, even facing a white man, and never faltered, even when he was sent to jail.Because of this attitude, Mathu was respected even by some white men like Mapes who â€Å"knowed Mathu had never backed down from anybody, either. Maybe that’s why he liked him† (Gaines 84). Mathu was like a strong rock, the attempts of others at making him submit were but pebbles against his overpowering pride and dignity. A character that Mathu attempted to instill some lessons on becoming a man was Charlie. Charlie, despite his mild character was a large man towering at 6feet 7inches and weighing 275 pounds.Beau Boutan, Charlie’s boss and some others often ridiculed him with names like â€Å"Big Charlie† and â€Å"nigger boy† because of his mild character (Gaines 187). Charlie however, after observing Mathu’s strong pride and refusal to let anyone step over that pride, eventually gained some courage to stand up for himself. After he killed Beau and ran away, he came back and was ready to atone for his deed. Gaines used this event in the novel to show that even though people might be insulted and beat down, they can still gain enough courage to stand up for themselves.When Charlie did stand up for himself, and became, in his eyes, a man, that eventually led to his death. Gaines’s killing off of Charlie after he started standing up for himself was alluding to the idea that when people make a stand, they must be careful not to overdo it, like Charlie did, or there might be unfavorable results. Another character of interest is Candy. Candy is the owner of the place in which all the men gather, and the organizer of the gathering. At first, Candy seems to be genuinely worried about the people in Marshall, saying â€Å"’No I won’t let them harm my people’†¦ ‘I will protect my people.’† (Gaines 19).However, as the story progresses Gaines shows that Candy’s motives may not have been as good-natured as firs tly suggested. It’s eventually revealed she does not care much for the other men gathered in Mathu’s yard, but only for Mathu himself. While she showed little emotion when the other men were called up to Mapes and hit, she was quick to react when Mathu was called. Gaines also showed Candy’s true nature in the event when Clatoo wanted to talk to the men inside Mathu’s house, without Candy.At this point, Candy threatened to have all the men who followed Clatoo kicked out of the Marshall place, their only home. Gaines portrayed Candy in this way to show in this time, the idea of oppressing people still existed in the minds of even those who seemed good-natured. Finally, Gaines creates a complex character out of Mapes. Mapes is a character who experiences a change during the story. When he first arrives at the site of Beau’s death, and the gathering of the old men, he acts with the same mindset of the Cajuns in that time.His first response to the scene is violence. He attempts to gain information from the old men by hitting them. Eventually, when he realizes violence will produce no results, he lets them tell their stories. The prominent change in Mapes is shown at the time Luke Will and his crew arrive with the intent of hanging Beau’s killer. Mapes attempts to protect Charlie and the rest of the men, saying â€Å"’Go home, Luke Will’† after Luke Will demanded he hands Charlie over to him (Gaines 195).When Luke Will ignored Mapes and started a shoot out between his crew and the old men, Mapes resigned control of the situation to the old men and Charlie. Gaines used this to show that the mindset of people can change for the better. In the instance that Mapes trusted the old men and Charlie with the situation, he recognized them not as people of a lesser racer, but respectable and trustable men, showing that old men’s attempt at standing for themselves was able to change a man.Gaines also employs the use of flashbacks in the novel. The main role the flashbacks play is to show the hardships and discrimination the African-Americans faced in that time. When Uncle Billy, one of the old men who gathered to finally stand up for himself after many years, was asked by Mapes the sheriff his reason for killing Beau, as all the old men claimed to have killed Beau, he recalled an event that happened years before. â€Å"’What they did to my boy’†¦ ‘The way they beat him.They beat him till they beat him crazy†¦Ã¢â‚¬â„¢Ã¢â‚¬  (Gaines 80). Gaines introduced this flashback to show the brutality suffered by the blacks at that time, and that it spared no one, not even a child. Another flashback was by Johnny Paul, who remembered back to a time when they had all lived as a community, till Beau and his tractor came to plow it all up. Johnny Paul was referring to this time when he confused Mapes by saying â€Å"’But you still don’t see. Yes, sir, wh at you see is the weeds, but you don’t see what we don’t see. ’† (Gaines 89).Johnny Paul was talking about how the weeds and rotting houses had replaced what was once a place of happiness, and brotherhood among the black families living there. Gaines uses this flashback to show what was taken from the African-Americans in the novel, to better explain their need to stand up for themselves. Tucker, one of the old men, goes into a flashback of his own. He remembers a time his brother and two mules, beat a white man and a tractor. The white man and his friends however said Tucker’s brother had cheated, and beat him with canes.Gaines adds this flashback to portray the obvious distinction between whites and blacks in that time. African-Americans were thought to be less of people than the Cajuns, so for this lesser person, Tucker’s brother Silas, to beat the supposedly superior white man was unthinkable. Like Tucker said, â€Å"’†¦and b ecause he didn’t lose like a nigger is supposed to lose, they beat him’† (Gaines 97). In that situation a scared Tucker didn’t stand up for his brother, and they beat him to his death.Gaines uses this flashback to show the results of the old men being walked over by the Cajuns, and doing nothing about it. Gable also reminisces about his unfortunate past. He remembers the Cajuns sentencing his sixteen year old son to the electric chair, â€Å"on the word of a poor white trash† (Gaines 101). He remembers the indifference the Cajuns displayed in killing his son, watching his death, and leaving as though it was a â€Å"card game† (102). Through this flashback, Gaines shows again how the cruelty of the Cajuns didn’t spare any ages.He also shows how little the word of a black man counted over that of a white man or woman. When his son was being sent to electric chair, Gable couldn’t do anything but beg the Cajuns. Gaines then ties thi s back to the importance of the men standing up to their tormentors, hinting such events could possibly have been avoided if they had stood up to their oppressors. Finally, Gaines utilizes symbolism in his novel to express the theme. Throughout the novel, a constant symbol that repeatedly came up was the tractor.The tractor was what Beau Boutan was riding when he came after Charlie. The tractor was also what drove many of the African-Americans on the plantation out of work and away from their homes. Finally, the tractor was what the Cajun, Felix Boutan, rode when he was beat by Tucker’s brother, Silas, which led to Silas being beat to death. The tractor symbolizes one of the main tortures of the African-American community in Marshall. It drove them out of work, drove them out of their homes, and eventually led to their death, in the case of Charlie and Silas.Gaines added the tractor and all it symbolized to be another motivator to the old men to make a stand. Another symbol w as the shotguns that the old men had. The shotguns’ empty shells in the beginning symbolized the weakness and ineffectiveness the old men had at the start of the story. In letting themselves to be walked over, and offering no resistance, they were as useless as the shotguns with empty shells they held in their hands. However, as the story progressed, when it came time to fight, the men had fully loaded shells and were ready for war.This symbolizes the change they went through. From being old useless men with no impact, they were able to make a difference, and have an impact. By standing up for themselves, they displayed their power and pride, which eventually even affected Luke Will, who â€Å"looked worried, real worried† when he realized their conviction (Gaines 205). Concluding, with the use of characterization, flashbacks, and symbolism, Ernest J. Gaines expressed the theme that there comes a time one must stand up for him or herself throughout the book.This theme was expressed through the characters Mathu, who always stood up for himself, Charlie, who learned to, and Candy and Mapes who were characters that were a motivator to the old men standing up for themselves. Gaines used the flashbacks to better portray the importance of the African-Americans in the area standing up for themselves, and he used symbolism to show one of the major torments of the people, and the change the old men went through. By standing up for themselves, the old men not only displayed their power and pride, but also seized hold of their future for themselves and their generations to come.

The Performance Of A Dysfunctional Team - 912 Words

Poor communication or failure in communication in the perioperative area leads to errors, accounting for 41%-91% of adverse events in the operating theatre (Marks et al. 2014). Theatre environment is fast paced and complex, and this may lead to the breakdown in communication which can cause delay in surgery, patient inconvenience and errors in procedure, hence reducing the quality of care (Cvetic 2011). The senior nurse had very effectively communicated with the surgeon and the junior nurse, which was a significant factor in allowing the surgery to run smoothly when she had to take over. Communication is an integral component of good teamwork, which is the heart of delivering optimum care. Teamwork is a skill, group of people working together to achieve a common goal (Shields Flin 2013). A dysfunctional team will increase the chance of misunderstandings, poor commitment and lack of confidence and respect, hence leading to the disintegration of the objective of optimum patient care ( The Royal College of Surgeons of England (RCSENG) 2014). Furthermore, humans are prone to error, and along with the complexity of the operating theatre, teamwork and communication is important to identify and convey the possible hazards, as to sustain patient safety (Plaza 2015). As part of this teamwork, the senior nurse was able to identify the distress of the junior and was very vigilant in her actions, as to aid her, hence preventing possible adversity to the patient, which is the commonShow MoreRelatedEffective Teams Essay1430 Words   |  6 PagesEffective Teams When setting up a team, the most important ingredient is the people. If the team is to function effectively, all the necessary skills and experience should be present and the people should have the authority to act on their own. 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Essay Human Nature And The Declaration Of Independence

Human Nature and the Declaration of Independence nbsp;nbsp;nbsp;nbsp;nbsp; I would like to show that the view of human nature that is shown in The Declaration of Independence is taken more from the Bible and that that view is in disagreement with two of the three esays given in class. The Biblical perspective of man is that he was created by a divine Creator with a specific plan in mind and made in the image of his Creator. Men are entitled to the pursuit of happiness but also required by the Laws of Nature and Natures God to be the just attendants of the land and of the governed. The Nature of man is sinful so that they must be governed but those who govern must be accountable to God just as the founding fathers were.†¦show more content†¦Aristotlelian logic (Aristotles deductive means of reasoning) especially sylogism_ dealt with relationship between proposistions in terms of their form instead of their content. By using this kind of deductive reasoning with a major premise, a minor premise, and a conclusion; for example, All human beings are mortal, the major premis, I am a human being, the minor premise, therefore, I am mortal, the conclusion Aristotle found all of his truth. I cant connect Aristotles view of human nature with that of the Founding Fathers and since an omnipotent deity was not feasible for Aristotle (since he couldnt see it and therefor couldnt belive in it) he comes to a different conclusion that doesnt agree what the founding fathers said. Aristotles begins by analyzing the political structure starting at what he sees as the most basic of human unions (man and woman). Aristotle writes, nbsp;nbsp;nbsp;nbsp;nbsp;quot;In the first place there must be a union of those who can not exist without each other; namely of male and female, that the race may continue (and this union which is formed not of deliberate purpose, but because, in common with other animals and with plants, mankind have a natural desire to leave behind an image of themselves)...quot; nbsp;nbsp;nbsp;nbsp;nbsp;The first difference between The Declaration of Independence and Politics is seen when you compare this quote with one from The Declaration of Independence ,Show MoreRelatedThe Influence of Locke’s Social Contract on the Declaration of Independence869 Words   |  4 PagesThe Influence of Locke’s Social Contract on The Declaration of Independence During the 1700s the American settlers suffered the abuses from their Mother England, and constantly fought through the rebellious spirit that lived within them. As their last hopes for independence dissolved by the greediness of the king, a man raised his voice, encouraging his subalterns to defend their freedoms. Richard Henry Lee proclaimed, â€Å"that these United Colonies are, and of right ought to be, free and independentRead More Modern Day Relevance of The Declaration of Independence Essay969 Words   |  4 PagesRelevance of The Declaration of Independence The Declaration of Independence is one of the most important documents produced by an American thinker. Reading The Declaration of Independence presents the reader with a window into the world of revolutionary America. It conveys the dynamic nature of the time better than any written work of the period. 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The Bureaucracy Of The Industrial Revolution Essay

Be a leader is inspiring, managing and depending on the performance of the team to be promote. That is why the theories of leadership evolve form bureaucracy to post- bureaucracy. The bureaucracy style is the oldest model, created by Taylor and Ford on the begging of the industrial revolution the leadership is more related with managerialism and autocratic() On the other hand and the post bureaucracy is new model, it is more related with empower the employee and make him make de decision. In this model the company cares and development the employee (asdasd). For a leader it is necessary both characteristic to adapt to different situations. The differences between the styles affect the behavior of the followers and the performance of the company ().What most influences the leaders? Is the bureaucracy better than post bureaucracy for the employees? Is post bureaucracy behavior more manipulative? The leadership style from bureaucracy is more authoritarian than post- bureaucracy. 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Practical Demonkeeping Chapter 29-30 Free Essays

string(27) " full attention to Rivera\." 29 RIVERA Right in the middle of the interrogation Detective Sergeant Alphonse Rivera had a vision. He saw himself behind the counter at Seven-Eleven, bagging microwave burritos and pumping Slush-Puppies. It was obvious that the suspect, Robert Masterson, was telling the truth. We will write a custom essay sample on Practical Demonkeeping Chapter 29-30 or any similar topic only for you Order Now What was worse was that he not only didn’t have any connection with the marijuana Rivera’s men had found in the trailer, but he didn’t have the slightest idea where The Breeze had gone. The deputy district attorney, an officious little weasel who was only putting time in at the D.A.’s office until his fangs were sharp enough for private practice, had made the state’s position on the case clear and simple: â€Å"You’re fucked, Rivera. Cut him loose.† Rivera was clinging to a single, micro-thin strand of hope: the second suitcase, the one that Masterson had made such a big deal about back at the trailer. It lay open on Rivera’s desk. A jumble of notebook paper, cocktail napkins, matchbook covers, old business cards, and candy wrappers stared out of the suitcase at him. On each one was written a name, an address, and a date. The dates were obviously bogus, as they went back to the 1920s. Rivera had riffled through the mess a dozen times without making any sort of connection. Deputy Perez approached Rivera’s desk. He was doing his best to affect an attitude of sympathy, without much success. Everything he had said that morning had carried with it a sideways smirk. Twain had put it succinctly: â€Å"Never underestimate the number of people who would love to see you fail.† â€Å"Find anything yet?† Perez asked. The smirk was there. Rivera looked up from the papers, took out a cigarette, and lit it. A long stream of smoke came out with his sigh. â€Å"I can’t see how any of this connects with The Breeze. The addresses are spread all over the country. The dates run too far back to be real.† â€Å"Maybe it’s a list of connections The Breeze was planning to dump the pot on,† Perez suggested. â€Å"You know the Feds estimate that more than ten percent of the drugs in this country move through the postal system.† â€Å"What about the dates?† â€Å"Some kind of code, maybe. Did the handwriting check out?† Rivera had sent Perez back to the trailer to find a sample of The Breeze’s handwriting. He had returned with a list of engine parts for a Ford truck. â€Å"No match,† Rivera said. â€Å"Maybe the list was written by his connection.† Rivera blew a blast of smoke in Perez’s face. â€Å"Think about it, dipshit. I was his connection.† â€Å"Well, someone blew your cover, and The Breeze ran.† â€Å"Why didn’t he take the pot?† â€Å"I don’t know, Sergeant. I’m just a uniformed deputy. This sounds like detective work to me.† Perez had stopped trying to hide his smirk. â€Å"I’d take it to the Spider if I were you.† That made a consensus. Everyone who had seen or heard about the suitcase had suggested that Rivera take it to the Spider. He sat back in his chair and finished his cigarette, enjoying his last few moments of peace before the inevitable confrontation with the Spider. After a few long drags he stubbed the cigarette in the ashtray on his desk, gathered the papers into the suitcase, closed it, and started down the steps into the bowels of the station and the Spider’s lair. Throughout his life Rivera had known half a dozen men nicknamed Spider. Most were tall men with angular features and the wiry agility that one associates with a wolf spider. Chief Technical Sergeant Irving Nailsworth was the exception. Nailsworth stood five feet nine inches tall and weighed over three hundred pounds. When he sat before his consoles in the main computer room of the San Junipero Sheriff Department, he was locked into a matrix that extended not only throughout the county but to every state capital in the nation, as well as to the main computer banks at the FBI and the Justice Department in Washington. The matrix was the Spider’s web and he lorded over it like a fat black widow. As Rivera opened the steel door that led into the computer room, he was hit with a blast of cold, dry air. Nailsworth insisted the computers functioned better in this environment, so the department had installed a special climate control and filtration system to accommodate him. Rivera entered and, suppressing a shudder, closed the door behind him. The computer room was dark except for the soft green glow of a dozen computer screens. The Spider sat in the middle of a horseshoe of keyboards and screens, his huge buttocks spilling over the sides of a tiny typist’s chair. Beside him a steel typing table was covered with junk food in various stages of distress, mostly cupcakes covered with marshmallow and pink coconut. While Rivera watched, the Spider peeled the marshmallow cap off a cupcake and popped it in his mouth. He threw the chocolate-cake insides into a wastebasket atop a pile of crumpled tractor-feed paper. Because of the sedentary nature of the Spider’s job, the department had excused him from the minimum physical fitness standards set for field officers. The department had also created the position of chief technical sergeant in order to feed the Spider’s ego and keep him happily clicking away at the keyboards. The Spider had never gone on patrol, never arrested a suspect, never even qualified on the shooting range, yet after only four years with the department, Nailsworth effectively held the same rank that Rivera had attained in fifteen years on the street. It was criminal. The Spider looked up. His eyes were sunk so far into his fat face that Rivera could see only a beady green glow. â€Å"You smell of smoke,† the Spider said. â€Å"You can’t smoke in here.† â€Å"I’m not here to smoke, I need some help.† The Spider checked the data spooling across his screens, then turned his full attention to Rivera. You read "Practical Demonkeeping Chapter 29-30" in category "Essay examples" Bits of pink coconut phosphoresced on the front of his uniform. â€Å"You’ve been working up in Pine Cove, haven’t you?† â€Å"A narcotics sting.† Rivera held up the suitcase. â€Å"We found this. It’s full of names and addresses, but I can’t make any connections. I thought you might†¦Ã¢â‚¬  â€Å"No problem,† the Spider said. â€Å"The Nailgun will find an opening where there was none.† The Spider had given himself the nickname â€Å"Nailgun.† No one called him the Spider to his face, and no one called him Nailgun unless they needed something. â€Å"Yeah,† Rivera said, â€Å"I thought it needed some of the Nailgun’s wizardry.† The Spider swept the junk food from the top of the typing table into the wastebasket and patted the top of the table. â€Å"Let’s see what you have.† Rivera placed the suitcase on the table and opened it. The Spider immediately began to shuffle through the papers, picking up a piece here or there, reading it, and throwing it back into the pile. â€Å"This is a mess.† â€Å"That’s why I’m here.† â€Å"I’ll need to put this into the system to make any sense of it. I can’t use a scanner on handwritten material. You’ll have to read it to me while I input.† The Spider turned to one of his keyboards and began typing. â€Å"Give me a second to set up a data base format.† As far as Rivera was concerned, the Spider could be speaking Swahili. Despite himself, Rivera admired the man’s efficiency and expertise. His fat fingers were a blur on the keyboard. After thirty seconds of furious typing the Spider paused. â€Å"Okay, read me the names, addresses, and dates, in that order.† â€Å"So you need me to sort them out?† â€Å"No. The machine will do that.† Rivera began to read the names and addresses from each slip of paper, deliberately pausing so as not to get ahead of the Spider’s typing. â€Å"Faster, Rivera. You won’t get ahead of me.† Rivera read faster, throwing each paper on the floor as he finished with it. â€Å"Faster,† the Spider demanded. â€Å"I can’t go any faster. At this speed if I mispronounce a name, I could lose control and get a serious tongue injury.† For the first time since Rivera had known him the Spider laughed. â€Å"Take a break, Rivera. I get so used to working with machines that I forget people have limitations.† â€Å"What’s going on here?† Rivera said. â€Å"Is the Nailgun losing his sarcastic edge?† The Spider looked embarrassed. â€Å"No. I wanted to ask you about something.† Rivera was shocked. The Spider was almost omniscient, or so he pretended. This was a day for firsts. â€Å"What do you need?† he said. The Spider blushed. Rivera had never seen that much flaccid flesh change color. He imagined that it put an incredible strain on the Spider’s heart. â€Å"You’ve been working in Pine Cove, right?† â€Å"Yes.† â€Å"Have you ever run into a girl up there named Roxanne?† Rivera thought for a moment, then said no. â€Å"Are you sure?† The Spider’s voice had taken on a tone of desperation. â€Å"It’s probably a nickname. She works at the Rooms-R-Us Motel. I’ve run the name against Social Security records, credit reports, everything. I can’t seem to find her. There are over ten thousand women in California with the name Roxanne, but none of them check out.† â€Å"Why don’t you just drive up to Pine Cove and meet her?† The Spider’s color deepened. â€Å"I couldn’t do that.† â€Å"Why not? What’s the deal with this woman, anyway? Does it have to do with a case?† â€Å"No, it’s†¦ it’s a personal thing. We’re in love.† â€Å"But you’ve never met her?† â€Å"Well, yes, sort of – we talk by modem every night. Last night she didn’t log on. I’m worried about her.† â€Å"Nailsworth, are you telling me that you are having a love affair with a woman by computer?† â€Å"It’s more than an affair.† â€Å"What do you want me to do?† â€Å"Well, if you could just check on her. See if she’s all right. But she can’t know I sent you. You mustn’t tell her I sent you.† â€Å"Nailsworth, I’m an undercover cop. Being sneaky is what I do for a living.† â€Å"Then you’ll do it?† â€Å"If you can find something in these names that will bail me out, I’ll do it.† â€Å"Thanks, Rivera.† â€Å"Let’s finish this.† Rivera picked up a matchbook and read the name and address. The Spider typed the information, but as Rivera began to read the next name, he heard the Spider pause on the keyboard. â€Å"Is something wrong?† Rivera asked. â€Å"Just one more thing,† Nailsworth said. â€Å"What?† â€Å"Could you find out if she’s modeming someone else?† â€Å"Santa Maria, Nailsworth! You are a real person.† Three hours later Rivera was sitting at his desk waiting for a call from the Spider. While he was in the computer room, someone had left a dog-eared paperback on his desk. Its title was You Can Have a Career in Private Investigation. Rivera suspected Perez. He had thrown the book in the wastebasket. Now, with his only suspect back out on the street and nothing forthcoming from the Spider, Rivera considered fishing the book out of the trash. The phone rang, and Rivera ripped it from its cradle. â€Å"Rivera,† he said. â€Å"Rivera, it’s the Nailgun.† â€Å"Did you find something?† Rivera fumbled for a cigarette from the pack on his desk. He found it impossible to talk on the phone without smoking. â€Å"I think I have a connection, but it doesn’t work out.† â€Å"Don’t be cryptic, Nailsworth. I need something.† â€Å"Well, first I ran the names through the Social Security computer. Most of them are deceased. Then I noticed that they were all vets.† â€Å"Vietnam?† â€Å"World War One.† â€Å"You’re kidding.† â€Å"No. They were all World War One vets, and all of them had a first or middle initial E. I should have caught that before I even input it. I tried to run a correlation program on that and came up with nothing. Then I ran the addresses to see if there was a geographical connection.† â€Å"Anything there?† â€Å"No. For a minute I thought you’d found someone’s research project on World War One, but just to be sure, I ran the file through the new data bank set up by the Justice Department in Washington. They use it to find criminal patterns where there aren’t any. In effect it makes the random logical. They use it to track serial killers and psychopaths.† â€Å"And you found nothing?† â€Å"Not exactly. The files at the Justice Department only go back thirty years, so that eliminated about half of the names on your list. But the other ones rang the bell.† â€Å"Nailsworth, please try to get to the point.† â€Å"In each of the cities listed in your file there was at least one unexplained disappearance around the date listed – not the vets; other people. You can eliminate the large cities as coincidence, but hundreds of these disappearances were in small towns.† â€Å"People disappear in small towns too. They run away to the city. They drown. You can’t call that a connection.† â€Å"I thought you’d say that, so I ran a probability program to get the odds on all of this being coincidence.† â€Å"So?† Rivera was getting tired of Nailsworth’s dramatics. â€Å"So the odds of someone having a file of the dates and locations of unexplained disappearances over the last thirty years and it being a coincidence is ten to the power of fifty against.† â€Å"Which means what?† â€Å"Which means, about the same odds as you’d have of dragging the wreck of the Titanic out of a trout stream with a fly rod. Which means, Rivera, you have a serious problem.† â€Å"Are you telling me that this suitcase belongs to a serial killer?† â€Å"A very old serial killer. Most serial killers don’t even start until their thirties. If we assume that this one was cooperative enough to start when the Justice Department’s files start, thirty years ago, he’d be over sixty now.† â€Å"Do you think it goes farther back?† â€Å"I picked some dates and locations randomly, going back as far as 1925. I called the libraries in the towns and had them check the newspapers for stories of disappearances. It checked out. Your man could be in his nineties. Or it could be a son carrying on his father’s work.† â€Å"That’s impossible. There must be another explanation. Come on, Nailsworth, I need a bailout here. I can’t pursue an investigation of a geriatric serial killer.† â€Å"Well, it could be an elaborate research project that someone is doing on missing persons, but that doesn’t explain the World War One vets, and it doesn’t explain why the researcher would write the information on matchbook covers and business cards from places that have been out of business for years.† â€Å"I don’t understand.† Rivera felt as if he were stuck in the Spider’s web and was waiting to be eaten. â€Å"It appears that the notes themselves were written as far back as fifty years ago. I could send them to the lab to confirm it if you want.† â€Å"No. Don’t do that.† Rivera didn’t want it confirmed. He wanted it to go away. â€Å"Nailsworth, isn’t possible that the computer is making some impossible connections? I mean, it’s programmed to find patterns – maybe it went overboard and made this one up?† â€Å"You know the odds, Sergeant. The computer can’t make anything up; it can only interpret what’s put into it. If I were you, I’d pull my suspect out of holding and find out where he got the suitcase.† â€Å"I cut him loose. The D.A. said I didn’t have enough to charge him.† â€Å"Find him,† Nailsworth said. Rivera resented the authoritarian tone in Nailsworth’s voice, but he let it go. â€Å"I’m going now.† â€Å"One more thing.† â€Å"Yes?† â€Å"One of your addresses was in Pine Cove. You want it?† â€Å"Of course.† Nailsworth read the name and address to Rivera, who wrote it down on a memo pad. â€Å"There was no date on this one, Sergeant. Your killer might still be in the area. If you get him, it would be the bailout you’re looking for.† â€Å"It’s too fantastic.† â€Å"And don’t forget to check on Roxanne for me, okay?† The Spider hung up. 30 JENNY Jenny had arrived at work a half hour late expecting to find Howard waiting behind the counter to reprimand her in his own erudite way. Strangely enough, she didn’t care. Even more strange was the fact that Howard had not shown up at the cafe all morning. Considering that she had drunk two bottles of wine, eaten a heavy Italian meal and everything in the refrigerator, and stayed up all night making love, she should have been tired, but she wasn’t. She felt wonderful, full of humor and energy, and not a little excited. When she thought of her night with Travis, she grinned and shivered. There should be guilt, she thought. She was, technically, a married woman. Technically, she was having an illicit affair. But she had never been very technically minded. Instead of guilt she felt happy and eager to do it all again. From the moment she got to work she began counting the hours until she got off after the lunch shift. She was at one hour and counting when the cook announced that there was a call for her in the office. She quickly refilled her customer’s coffee cups and headed to the back. If it was Robert, she would just act like nothing had happened. She wasn’t exactly in love with someone else as he suspected. It was†¦ it didn’t matter what it was. She didn’t have to explain anything. If it was Travis – she hoped it was Travis. She picked up the phone. â€Å"Hello.† â€Å"Jenny?† It was a woman’s voice. â€Å"It’s Rachel. Look, I’m having a special ritual this afternoon at the caves. I need you to be there.† Jennifer did not want to go to a ritual. â€Å"I don’t know, Rachel, I have plans after work.† â€Å"Jennifer, this is the most important thing we’ve ever done, and I need you to be there. What time do you get off?† â€Å"I’m off at two, but I need to go home and change first.† â€Å"No, don’t do that. Come as you are – it’s really important.† â€Å"But I really†¦Ã¢â‚¬  â€Å"Please, Jenny. It will only take a few minutes.† Jennifer had never heard Rachel sound so adamant. Maybe it really was important. â€Å"Okay. I guess I can make it. Do you need me to call any of the others?† â€Å"No. I’ll do it. You just be at the caves as soon as you can after two.† â€Å"Okay, fine, I’ll be there.† â€Å"And Jenny† – Rachel’s voice had lowered an octave – â€Å"don’t tell anyone where you are going.† Rachel hung up. Jennifer immediately dialed her home phone and got the answering machine. â€Å"Travis, if you’re there, pick up.† She waited. He was probably still sleeping. â€Å"I’m going to be a little late. I’ll be home later this afternoon.† She almost said, â€Å"I love you,† but decided not to. She pushed the thought out of her mind. â€Å"Bye,† she said, and hung up. Now, if she could only avoid Robert until she could think of a way to destroy his hope for their reconciliation. Returning to the floor of the cafe, she realized that somewhere along the way her feeling of well-being had vanished and she felt very tired. How to cite Practical Demonkeeping Chapter 29-30, Essay examples